The Atlantic’s Rob Meyer on climate journalism

Sometimes papers in Nature are incomprehensible to anyone other than a hard-core specialist. Yes, we use press releases, News & Views, and other reporting to make the leap to our broader readership. But for bringing science to the general public, no amount of Carl Sagans, Neil deGrasse Tysons, or Bill Nyes is going to get the job done. You need journalists. Journalists like Rob Meyer from The Atlantic, who are producing an astonishing amount of great content on topics like the Paris Agreement, fracking regulations, and Antarctica. Rob talks me through his path from music major to twitter procrastinator to Atlantic writer. I flip the usual Nature-related questions around to Rob: how do you select stories, frame them for your audience, and discuss the policy implication? And what is the rationale for the New York Times hiring Bret Stephens? Definitely a story there.

Rob Meyer from The Atlantic

Music: Clips for the intro and extro are the songs 1969 and One Ticket Two Bills by Ending Satellites CC BY-NC-SA 3.0.

Bronwyn Wake chief editor of Nature Climate Change

How, exactly, does one get to be an editor of a Nature-branded journal?¬†What do we do? How do we decide what to publish? And what’s up with all our journals? In this episode of Forecast, I hash out these issues with Bronwyn Wake, the chief editor of Nature Climate Change. But don’t worry … if you’re thinking about becoming an editor, working in a bar is not a prerequisite. Continue reading →